This study is standing up on a theoretical idea, trying to know the elements of Semiotics light at the discourse of the blind. This idea started through a number of questions, the most important of them: Is the light possible to become an object which helps the blind to express himself and know who those around him? The idea seemed strange, because the blind do not see the light, but this strangeness has no place if we knew that the blind realize light qualities that defined before the stop look. And then: the power is imagined it has been ordained with pictures of things from the visuals of different races and types. The research presents the theoretical introduction Semiotics of light elements, which elements are inseparable from the three Articles that came from semiotic theory Peirce. The most important feature of these elements is the process that is the case along the light and its development in the narrator's life; where something began to be felt by the representatives of the kind of consciousness that does not require any analysis, in the enjoyment of seeing the world stage (primacy). And when he loses his look, the light travels from an initial element to the second element, transmitting to him this first, but prove the existence of self with the (second). Nor can the first to refer to the second, but through a third connecting element between them and place them in the law relationship (the third), and the third may be the narrator of the past experience, the blindness and culture acquired by the case being adapted to his condition. On the practical side examines the following points: 1. Light and space tensions. 2. Light and space passions. 3. Light and space characters. 4. Light and space time. 5. Light and space location.