إسهامات "محمد أحمد العزب" في النقد العربي القديم قضية "التحرر والألتزام" نموذجاً The contributions of ''Mohammad Ahmed El Azb'' in old criticism The issue of ''commitment and freedom'' A Model

This study in the issue of commitment and freedom and it is an issue of critical issues which presented and
classified by Dr. Mohammad Ahmed El Azb in his critical writings, particularly in his writing issues of poetry
criticism in Arabic heritage and he presented his critical side of this issue, through what are presented by old
poetry critics ''Ibn salam in great poets levels and El gahaz in ''Animal'' and Ibn Kattiba in poetry and poets and
many critics who affect on critical heritage by their critical sayings, The researcher tried to limit what is presented
by those critics and others for this issue and to recognize their vision and if is there a similar points among them or
every critic has his own vision ? and what are Al Azb contributions in this issue when limited and classified and
giving his critical vision ? and how could he to present a modern critical speech getting his essence and identity
from critical sayings of heritage .
The researcher hopes to discover Al Azb contributions in criticizing criticism and assuming it is an addition
of critical heritage for critical library adding to the heritage of great Arab critics, especially that dangerous issue has
many different visions in old and new times, according to the vision of each critic. The researcher means here to
tackle with Al Azb all systematic approach based on moderate Arabic vision with reference with critical sayings to
contribute in this issue then added to the theory of criticism inside Arabic institution of criticism to achieve basic
Arabic identity and their features. The results indicated taking critical vision of Al Azb and Arabian critics art
measurements as a main condition with freedom to tackle with poetic text not the poet and this is clearly shown in
their critical saying Al-Azb cleaned his critical stand of Asamai saying ''poetry is faced by evil'' accurately . The
researcher sees the highest level of art quality of poetic text are seen in cases of balance and harmony of beauty
and majesty like bird wings. Sabdaily sayings to defend his poet Abi tamam when accused by disbelieving of Allah,
that disbelieving affects poetry and faith to increase it and he cleared his critical opinion accurately. Also, Judge
Garagni saying that religion is isolated from poetry in his defense of ''Matbani'' on the top of critical acidity on 4 th
century, out of obligations and ideology and then taking art criteria its place in the process of critism AlAzb
interfered with the judge that creativity genius gives the most beautiful forms and that should be done with
objectivity.